The Busan Biennale Organizing Committee will hold the Busan Biennale 2016 at the Busan Museum of Art and the F1963 (KISWIRE Suyeong factory) from September 3 to November 30, 2016 under the theme Hybridizing Earth, Discussing Multitude. This year’s biennale will be curated by Yun Cheagap (Director of the HOW Art Museum in China) and will consist of two exhibitions (Project 1, Project 2) and multifarious programs (Project 3). The exhibitions are divided into two parts: Project 1 featuring Chinese, Japanese and Korean avant-garde art before the 1990s and Projechttp://www.busanbiennale.org/english/sub01/02_2015.phpt 2 featuring the global biennale system that emerged after the 1990s.
Click
here for more information about the Artistic Director & Curators.
Project
1: an/other avant-garde china-japan-korea
Project
1 to be held at the Busan Museum of Art is an exhibition that will shed light
on Chinese, Japanese and Korean experimental avant-garde art that spontaneously
came into being in each country in the 1960s to 1980s. Co-curated by Chinese
(Guo Xiaoyan), Japanese (J-Team; Noi Sawaragi, Akira Tatehata, Yuzo Ueda) and
Korean (Kim Chandong) curators, this project features 137 artworks submitted by
64 artists or teams from three countries. The Chinese section will address the
period of resistance and conflict spanning from 1976 to 1995 when the Cultural
Revolution, the Beijing Spring, and the Tianmen Square Massacre took place
whereas the Japanese section will feature avant-garde art from the period of
the bombing of Hiroshima to the end of the 1980s, the Gutai Group, Mono-ha, and
part of Superflat. The Korean section will address the sphere of Korean
experimental art, which was the part of conceptual art, happening, media,
overshadowed by Dansaekhwa (monochrome painting in Korea) and Minjung Misul
(People’s Art) in the 1960s to 1980s.
Click
here for a list of participating artists (Project 1).
Project
2: Hybridizing Earth, Discussing Multitude
Project
2 curated by Artistic Director Yun Cheagap is a thematic exhibition to be held
under the title Hybridizing Earth, Discussing Multitude. This project will be
an exhibition that reexamines the biennale system that came into being around
the world in the 1990s and will present the role and nature of biennales where
new discourses on contemporary art are raised by multiple intelligences. The
F1963 (KISWIRE Suyeong factory) will be filled with experimental works by 56
artists or teams from 23 countries, turning it into a ground for the public
sphere of multitude and a new space for culture and art.
Click here for a list of participating artists (Project 2).
Project
3: A Ground for Discussing Multitude, Moving Beyond Genres
Project
3 features a multitude of programs including academic and educational programs
to bring light to the exhibition theme. In this event in particular, a ground
for discussing multitude will be created through the involvement of scholars
working not only in the field of art but other genres as well. With this
opportunity they will discuss a broader range of culture and art.
“The
Busan Biennale 2016 will be an underlying question concerning ‘biennale’ as a
form of exhibition, as well as a reflection on and criticism of the existence
of artists,” stated Artistic Director Yun.
The
progress in and process of preparing the Busan Biennale 2016 will be
consistently posted on the Busan Biennale official website (www.busanbiennale.org).
Further
information is available upon request.
PR
team
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